It’s of zero surprise to me that this ruffled, tie-front dress that Taylor wears for the evermore section on tour is by Etro.

This is Taylor Swift at her most classic for the stage - a fringed, sparkly dress and boots. It doesn’t get more staple than that.

Another moment where a throwback to previous style was going to be an easy win. There’s nothing like a matching crop top and skirt with sparkle booties to evoke the 1989 Tour.

Welcome to The Eras Tour, everyone. Here, we begin a comeback tour where we seemingly last left off: With not only the first album under Taylor’s new record contract that she owns but that also had its live iteration cancelled.

This mauve-toned, chiffon gown mixes bohemian elements thanks to its ruffles and flutter sleeves and lace with very subtle stage-worthy embellishments. Well done.

Taylor employs an old dancers trick to get her legs looking the way they do on stage - double layering tights.

It’s nice in a lot of ways that this tender, stripped down moment in Taylor’s set that’s dedicated entirely to her roots as a singer-songwriter brings with it two very familiar names.

Taylor spends most of her time on tour in a pair of Stuart Weitzmans, wearing four different styles of the brand throughout her 11 costume change. However, she relies on the sturdiness of her five customized 4″ ‘Gran’ boots the most.

Taylor customized her Les Paul by forgoing the pickguard and identification plates on the headstock as well as refinishing it in a sparkle red colour.